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  • Author Interview: Andrew Beardmore

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    History, Heritage, and Epic Fantasy: Andrew Beardmore on the Unusual & Quirky Series, the Druidic Legends of Derbyshire, and the Making of The Nessemiah

    In this interview, award-winning author and educator Fiza Pathan speaks with Andrew Beardmore — British indie author, local historian, and musician — about his remarkable journey from a forty-year career in IT to mainstream publishing with Halsgrove. Andrew shares the stories behind his acclaimed Unusual and Quirky county history series; the invention of the shire-ode; the legends of the Nine Ladies stone circle and the Chesterfield Crooked Spire; the coal-mining history that inspired The Strains of Malice; and the latest news on his epic fantasy series, The Nessemiah.

    A must-watch for students of history, literature, and education, as well as readers of epic fantasy and lovers of British local heritage.

    Audio-only version of the interview — [duration 1:20:11]

    Interview Transcript – Fiza Pathan in Conversation with Andrew Beardmore

    Author Interview: Andrew Beardmore

    History, Heritage, and Epic Fantasy: From the Unusual & Quirky Series to the World of Thera

    Interviewer: Fiza Pathan — Author, Educator, and Literary Blogger

    Interviewee: Andrew Beardmore — Author, Local Historian, and Musician

    Platform: Fiza Pathan’s Teaching Portfolio for PGCITE

    Published at: fizapathansteachingportfolioforpgcite.com

    Publisher: Fiza Pathan

    Editorial Note: This transcript has been lightly cleaned from a verbatim recording for readability. The series title ‘The Nessemiah’ has been standardised throughout; the character name ‘Davy Sheeran’ and place name ‘Cabrennar’ are as stated by the author. Natural speech patterns, including hesitations and self-corrections, have been retained to preserve the authentic voice of the conversation.

    Part One — Welcome and Introduction

    Fiza Pathan: Thank you. So, welcome again to Fiza Pathan’s Teaching Portfolio for PGCITE. Today, we are talking about history — which is actually my subject, my postgraduate and graduating subject, and my favourite subject of all time. And I thought, why not have one of the best and most talked-about indie authors here on this platform, talking about his non-fiction historical writings? We have with us today Andrew Beardmore, a great friend of mine and a wonderful — not only non-fiction historical writer, but an amazing fantasy fiction writer. I would even term his fiction as fantasy literary fiction. So, all of you — my students especially — I know you are all out there watching this. Those of you into fantasy, this is the guy you should be looking up: Andrew Beardmore. And please, I hope you will all learn a great deal about the importance of history and his ideas about history. He has a background in IT, which is totally different from history, and yet he feels subjects like history and geography are very important in any educational curriculum. Over to you now, dear Andrew Beardmore. Yeah, let us go for it.

    Andrew Beardmore: Thank you so much, Fiza. That is an amazing introduction. And thank you for having me on your teaching portfolio website. It is a real honour to be here. And I also thank you so much for the reviews that you have given of my fiction as well. As you know, there is nothing more encouraging than having another author support you.

    Fiza Pathan: Well deserved, well deserved. And this is an author to be watched out for. But I think even his non-fiction works should be looked into. Continue, continue.

    Part Two — Background: IT, History, and a First-Class Honours Degree

    Andrew Beardmore: Okay. I thought it would be important to explain who I am — you have already done a really good job of that. So: I do feel a little bit of a fraud when people introduce me as a historian. I feel a bit uneasy. It is sort of odd, because I have worked for nearly forty years in the IT industry, for four huge companies: Rolls-Royce, Boots, IBM, and Computer Centre. The latter two both have a significant presence in India, incidentally. And I have had associations with India throughout my IT career. But my two biggest loves throughout all of my life have been history and geography — which aligns with yourself perfectly. If I go back to my childhood, for example, I remember being aged seven or eight. I knew every single capital city in the world. And I could have been presented with the shape of any country — without naming it — and I would have known which one it was. I am probably about eighty per cent as good as that now. There are a lot more countries, of course. But yes — that was about age seven or eight. By the time I took my A levels at eighteen, my main love was history. I got an A at history A level. I was all set to read history at university. But unfortunately, we had some troubling family circumstances which meant I had to get a job and earn some money.

    Andrew Beardmore: My first job was at the tax office, where I worked for four and a half years — hence the photograph of the Houses of Parliament. Obviously it is a government department. But whilst I was at the tax office, I studied GCSE Computer Studies at night class. That then enabled me to get my first IT role at Rolls-Royce, which was way back in 1987 — hence nearly forty years. Rolls-Royce then sponsored me to do a Computer Science degree with day release. That took four years. And I eventually graduated with a first-class honours degree. But more importantly, I actually won the top prize for the Faculty of Mathematics and Computing that year, which was known as the Junaid Ghari Memorial Award.

    Fiza Pathan: Can I just ask you a question? At which time was this? The 1990s or the 1980s?

    Andrew Beardmore: Both — it was 1988 to 1994, and I took two years off in the middle when I got married. So it took four years in total, but six years of elapsed time.

    Fiza Pathan: I want to point out something here. This is so important for my students especially. He worked while he was studying. He was working. This is something totally novel to most people here in this part of the world. Gen Z and Gen Alpha do not always like to earn while learning — and you can see here, it may not be happening in England, but it is certainly happening over here, which is very concerning. So I hope you can see in Andrew a beautiful inspiration. And another thing: the Junaid Ghari Award — and the first thing he thinks about is not how he can get more money or keep on progressing, but why did I get this award? He is thinking about this. This is a totally different, unique way of thinking about one’s own achievement — a humble and beautiful, reflective way. Continue Andrew, beautiful.

    Andrew Beardmore: Thank you. But it is tough. And I did it in my mid to late twenties as well — which is probably a time when you should be out enjoying yourself. There are two ways of looking at this really. But it certainly laid the foundations for my career. From this point onwards, everything really took off. All the hard work was worthwhile. I realised that I could write, and that I was pretty good at writing. So I thought, well, I need to do something with this. Not necessarily make a living out of it, but at least get some recognition for it.

    Part Three — First Publications: Short Stories and Local Competitions

    Andrew Beardmore: Moving on to my first publications. I decided to write, and the very first competition I entered — in 1996 — was the annual BBC Radio Derby Short Story Competition.

    Fiza Pathan: The biggest one, the most important one — he enters. Amazing. Go ahead.

    Andrew Beardmore: There were, I think, somewhere between a thousand and two thousand entries. There were only five winners, and they were read out on the radio Monday through Friday. Now, I was not in the top five. But this competition was run by Derby City Council’s literature development department. And what they did was pick five additional people whom they thought showed promise as writers — and I was one of those five. It literally changed my life at that point. Because I do not know whether I would have carried on — certainly I would not have been as prolific — without that encouragement from Derby Literature Development.

    Andrew Beardmore: I then became a prolific contributor to the Derby Telegraph, which had the biggest circulation in our particular area — back in those days, something like fifty to a hundred thousand readers. Incredible exposure. I wrote many short stories for them, and then I got published in other newspapers, magazines, periodicals, and the small presses. I then started winning competitions — mainly local ones, but some national. And then we come to the second pivotal moment in my writing journey: the Trowel and District Writers competition of 2008. Trowel is a village-come-town in Nottinghamshire, my neighbouring county.

    Fiza Pathan: A big thing. Nottinghamshire’s Trowel and District Writers — you were really catching on. I want to know more of those short stories. I hope you are planning on making a collection of them to share with us — your readers. Please do.

    Andrew Beardmore: It is just time, Fiza, you know. I really would love to release an anthology of all of my early short stories — particularly the ones that appeared in the Derby Telegraph.

    Fiza Pathan: Please do. And then send them to me, and I will review them — and my students will also review them for you. Please do.

    Andrew Beardmore: Oh, that would be wonderful. Okay, so back to the second pivotal moment at Trowel and District Writers. It is pivotal because it is the first time I had written anything relating to local history. And it was not a short story, not an article — it was a poem. But a poem with a difference. These poems later manifested as something I called a shire-ode, which became the pivotal central part of all of my Unusual and Quirky books over the next fifteen years.

    Andrew Beardmore: What is a shire-ode? It is a poem told in rhyming verse about imaginary inhabitants of the county in question, with place names woven into the flow of the poem. The particular piece that won the Trowel and District Writers 2008 competition was called Arnold’s Daughter — because Arnold is a town in Nottinghamshire, and the daughter in question is Kimberley, which is also a town in Nottinghamshire. So it starts something like: ‘She was born the youngest of Arnold’s three — there was Elton, and Trent, and then sweet Kimberley.’

    Fiza Pathan: Trent! All of them! I love Trent. I hope one day I get to go there. Continue.

    Andrew Beardmore: They obviously thought this was worthy of winning the competition. And by virtue of winning it, I again took a step back and thought: well, I might be on to something here. I wonder if I can put this at the centre of a local history book, and maybe get published by a mainstream publisher — for the first time. So that is exactly what I did. But I did not want to write about Nottinghamshire first. I wanted to write about my own county, Derbyshire. So I created a new shire-ode called Brad and Mel, which starts: ‘They were born in the Forties — Mel born in Cromford and Brad born in Lea. Brad was the kinder; there was great hope for Mel, who excelled in the kitchen and sure could Bakewell.’ Bakewell being a place name in Derbyshire, of course.

    Fiza Pathan: That was so smart! Bakewell.

    Part Four — Mainstream Publishing: The Unusual and Quirky Series

    Andrew Beardmore: My first publication is Derbyshire Unusual and Quirky. Picked up by Halsgrove Publishing in 2012 — they offered me a contract in 2013, and it was published in 2014. And you have got that shire-ode, Brad and Mel, sitting at the heart of this book. Each of the Unusual and Quirky volumes is divided into two halves. The first half is called Conventional Derbyshire, and the second half is called Quirky Derbyshire — driven by the shire-ode, which has seventy-seven place names woven into its flow. In the second half, I visit each of those seventy-seven places as a kind of random almanac, and I delve into the history of each one. Every place has got a church, usually a pub, and certainly got history — and that was just such fun. I would drive all over the county to these places, taking all the photographs myself. Each of these books has around four to five hundred photographs in them.

    Fiza Pathan: Four to five hundred! Whoa. Students, we can really get a lot from these books. Even for history and literature students, especially the style in which he has incorporated all these regions, all the counties and areas, into a form of poem. I think you all should look into this — especially for your poetry writing, and for the questions you face in IBDP and AS and A Level. Continue. I am especially looking at Nottinghamshire, I am seeing Staffordshire, a favourite place which I love — and oh, Shropshire. I have not seen this in the Indian market. You must make it available for all of us over here.

    Andrew Beardmore: Well, it should be available. Shropshire came out in 2023. It is an absolutely beautiful county — actually my favourite after Derbyshire. Very sparsely populated, which makes it lovely to drive around. Warwickshire is another one I love deeply. So: Derbyshire Unusual and Quirky was published in October 2014. These are hardbacks, by the way — quite substantial, coffee-table style, around one hundred and sixty pages, but with lots of photographs and an enormous amount of information. The first half covers the county from prehistoric times all the way through to the twenty-first century. Derbyshire did better than the publisher was expecting, and within a month I received a contract to write Nottinghamshire, and then Leicestershire and Rutland. They were successful, and I ended up with a rolling contract giving Halsgrove first refusal on my next piece of work. We are now at eight books, with Worcestershire three-quarters finished as book nine.

    Fiza Pathan: Amazing, amazing.

    Andrew Beardmore: Halsgrove have also published some football literature for me — historically orientated, of course. Barmy Derby is a history of Derby County Football Club from its founding in the early 1880s all the way through to today. I thoroughly enjoyed writing that. And then, as you have also mentioned, I have more recently branched out into fiction — not any old fiction; I have gone for epic fantasy. And my grounding as a local historian has proven very helpful in writing an authentic world called Thera in the epic fantasy series, The Nessemiah. The strapline is ‘Poldark meets Gladiator on another world,’ and it is extremely helpful having the background and love for history that I do. That brings us round full circle to the first question: would it be history and geography that I loved as a child, or IT which I deliberately moved into in the 1980s because it was clearly a growing profession? The answer is: I have ended up doing all three. I am still working in IT now, albeit as a copywriter for the last eight years — using very much the same process: pulling information from many disparate sources, analysing it, discarding what is not relevant, focusing on the key message, and summarising it into something succinct. It has been the same process for my degree course, for Unusual and Quirky, and for my IT copywriting career.

    Part Five — The Quirky History of Derbyshire: Local History Talks

    Fiza Pathan: Is this something you have photographed — the graves or these stones here at the bottom? Where is this from?

    Andrew Beardmore: This is Stanton Moor in Derbyshire — a very windswept, flat plateau at about one and a half to two thousand feet. And in the middle of this plateau, surrounded by trees, is one of the most serene places I have ever been. It is a Neolithic stone circle known as the Nine Ladies. There are nine stones there. And the legend is that these were nine ladies who were turned to stone for dancing on a Sunday. I tell this story in my local history talks, and I have also written a song to accompany it, because I am a musician. The song appears on my YouTube channel, The Quirky Beardie. There is a big crossover between Unusual and Quirky and the channel, because a number of the songs there also appear as tales I tell in Derbyshire Unusual and Quirky.

    Fiza Pathan: May I ask you a question at this point? If you were not obliged to earn a living — is your heart truly only in history? More than IT, more than copywriting?

    Andrew Beardmore: Oh, if I could have been a writer for a living — that would have been absolute perfection. Or a historian, that would have been wonderful. But there are limited jobs in this country, and unless you… At school, I always told everyone I was going to be an archaeologist or a geologist. I would have loved to have done either of those things. But as you saw, I ended up working in local government at the tax office, and then I thought, quite sensibly at the time, that IT was the profession to get into. But I have to say it has been a tough profession. There have been times when I was on call every other week for forty different customers, being called out every night to fix problems — and I swear that has knocked ten years off my life. That was when I was working for IBM.

    Fiza Pathan: So I hope everyone is hearing this. All those who want to become data scientists and data analysts — see what Andrew had to go through, and yet that love for history and geography did not die in him. And if you heard carefully: because of financial conditions at home, he made the right decision, and yet he kept his hobbies alive. Keep that in mind.

    Andrew Beardmore: Never give up.

    Part Six — Stories from the Quirky History Talks

    Fiza Pathan: Please tell us the story of the Nine Ladies. Even if you cannot sing for us, please share the story. I think they are singing to my soul.

    Andrew Beardmore: I am sorry to disappoint you, but it is only a legend. A very short and succinct legend: it was simply nine ladies who used to go out on the Sabbath to dance. And they were punished for that — alleged to have been turned to stone. So you have these nine stones in this beautiful stone circle. And about forty yards away to the west, there is a single stone known as the King Stone — also known as the Ladies’ Fiddler. He was the man who played the fiddle while they all danced.

    Fiza Pathan: This is getting into my head as a nice story. I think you should develop on this further.

    Andrew Beardmore: Well, I have done something with it in the song. It is very atmospheric — I have got a flute in there as well, which makes it sound very ethereal. And that is what this place is. This whole area of Stanton Moor, with its many stone circles, is actually a hotbed for druids — British druids.

    Fiza Pathan: I was just about to ask you about any druidic legend or history here. Can you tell us about druid culture? Most Gen Z students hardly know anything about the druidic culture of the UK.

    Andrew Beardmore: I cannot profess to be an expert. But I know that the druidic culture goes back at least two thousand years — it was present when the Romans invaded Britain, when the Anglo-Saxons invaded, and when the Vikings came. They worship Mother Earth, I believe. And — you may have noticed — in my fiction, The Strains of Malice and The Nessemiah, it is heavily orientated around a druidic culture. I have read about it in novels rather than non-fiction, so I do not know all the details. But what I can tell you is that in the trees around this stone circle, they tie bells and ribbons. The wind is always blowing here. When you stand there, you hear the wind through the trees — and you also hear these tinkling bells.

    Fiza Pathan: Like wind chimes — but something even better. Something…

    Andrew Beardmore: Exactly. It is just a magical place. And there are quite a few of these in Derbyshire. I am afraid that is the best I can do from a druidic perspective.

    Andrew Beardmore: Now, moving on to the Crooked Spire — one of the most, and certainly probably the most famous landmark in Derbyshire. This is St Mary and All Saints Church in Chesterfield. Nationally famous as well. Chesterfield Football Club are nicknamed the Spireites. And I kick off this part of the presentation by saying that we Derbyshire people are a bit lackadaisical about what a wonderful edifice we have here — we just take it for granted. The Crooked Spire has a twist of forty-five degrees. It sounds infeasible, but it twists. And the most astonishing fact is that it has a lean of nine and a half feet. The lean is measured from the centre point of any of the four sides of the tower to the outermost point of the spire — and it is nine feet six inches out to the left. In my talks, I pick on someone who is about six feet tall and say: if you lay down on the floor now, that is your body length and a half. That is how far that spire leans.

    Fiza Pathan: Is there a story behind it? Was it naturally created by…

    Andrew Beardmore: Yes, it is coming shortly. The main reason attributed to the spire being twisted and crooked is the Black Death. The Black Death swept through England in 1349, taking roughly a third of the population. At that time the population of England was six million — it was taken down in twelve months to four million. An astonishing figure. If you extrapolate that to today, with England at seventy or eighty million, and India at over a billion — the numbers are just horrific. What the plague did was wipe out an enormous number of skilled craftspeople in the mid-fourteenth century. And that was precisely the point at which the Church of St Mary and All Saints in Chesterfield was being built. They ended up with an inexperienced team. Two fundamental mistakes were made: they used unseasoned, green timber in the frame, and they did not put cross-bracing inside to strengthen the structure.

    Andrew Beardmore: What is really interesting is that it is almost certain the spire remained upright — not twisted — for several centuries. We know this because two very significant commentators of the late seventeenth century, Celia Fiennes and Daniel Defoe — of Robinson Crusoe fame, though he was also a journalist who travelled and wrote about the places he visited, rather like I am doing now — both visited Chesterfield, and neither reported a crooked spire. There is no way they would have failed to mention it if it had been crooked. So the theory is: in the early 1700s, the original oak tiles had worn out and were replaced with thirty-two tons of lead tiling. Remember — they had still not fixed the unseasoned wood and the lack of cross-bracing. The sun beats down on the southern face, the lead tiles expand and contract at a different rate to those on the north face, and over the years the structure warped, twisted, and leant.

    Andrew Beardmore: Now, because this is called A Quirky History of Derbyshire, there is obviously a legend associated with the spire. One very dull legend says it was struck by lightning — clearly not true. Another states that a Bolsover blacksmith was conned by a Chesterfield magician into shoeing the Devil — putting a horseshoe on his hoof. He was so frightened that he missed and hammered the nail through the Devil’s foot. The Devil took off in pure rage, swiping at buildings as he went — and one of the things he swiped was the Chesterfield spire. But my favourite legend is that in the late Middle Ages, a virgin got married in Chesterfield church. And the spire was so astonished to see such an unlikely event that it twisted round to have a better look. The legend also states that in the unlikely event that another virgin should marry in the church, the spire will come back up straight again.

    Fiza Pathan: Oh my gosh — and I think that is even a deeper level of analysis, because we were just talking about virginity being something more than the physical. The spire was perhaps seeing in that virgin a kind of absolute purity — a purity that has nothing to do with the physical aspect of the word in the canonical sense. And now only if it sees that kind of purity again will it turn back and become straight. This is something we can really talk about.

    Andrew Beardmore: I think it is fair to say it is absolute nonsense in this case! But every county has these legends, and multiple legends at that. I am happy to talk about some of the others if you like.

    Part Seven — Dale Abbey, the Hermit’s Cave, and the Reformation

    Andrew Beardmore: There is a massive focus on ecclesiastical institutions in my Unusual and Quirky books, because they are so built into the history of every county. Every single place I visit, I always go into the church, I always leave some money in the collection box. And most of them have little booklets you can take away giving the history of the church — you are getting information from the horse’s mouth, and you know it will not be inaccurate.

    Andrew Beardmore: I am going to move to another ecclesiastical establishment now. This is a place called Dale Abbey in Derbyshire — in the south-east, which is mainly industrial, but there is this beautiful valley in the middle called Dale Abbey. And that is the only surviving arch from a thirteenth-century Premonstratensian Abbey — also known as the White Canons, courtesy of their white habit.

    Fiza Pathan: Of course. A very old order. These strict cloistered nuns — or monks, if I can remember correctly.

    Andrew Beardmore: These were monks, yes — this was a monastery. And it was known as Dale Abbey; the place was called Deepdale before the monastery was built. Now, the Reformation is something I write about in every book. It is one of the biggest tragedies of all time, what happened in the 1530s — and it features heavily in the history of all the Unusual and Quirky books. Because every single county I visit, there are these kinds of ruins. Some have nothing left at all. They were either sold off to the noblemen of the time, who converted them into country houses, or the stone was simply stolen for other buildings.

    Andrew Beardmore: What is interesting is how Halsgrove have placed the photograph of the Dale Abbey arch next to the photograph of the Hermit’s Cave — also in Dale Abbey. There is a beautiful valley running across the back of where the Abbey was, and halfway down is this cave. There is a legend associated with it, but it is almost certainly founded on truth. The legend states that between 1130 and 1140, a Derby-based baker had a visitation from God and was told to go and live out the rest of his days as a hermit in this place called Deepdale. He went and carved out his home from the sandstone cliffs — six yards by three yards, two rooms: a living quarters and an oratory. He lived there for about ten years.

    Fiza Pathan: My Lord. Six yards by three — that is it?

    Andrew Beardmore: That is it. The story does have a happy ending, though. The Norman nobleman who owned these lands came across him, took pity on him, and granted him the land on which the hermitage was located. He also granted him a tithe from one of his mills — ten per cent of the takings per year — which enabled him, so the legend says, to create a grander home for himself, a grander oratory, a grander living quarters. And this connects to All Saints Church at Dale Abbey, which is one of the quirkiest buildings you will ever see. It is a church on the left-hand side and a private home on the right-hand side — it is the only one in England, possibly the whole UK, that shares a roof with another dwelling. That dwelling has been a farm, an infirmary for the abbey, and also a pub — the Bluebell Inn. The rumour is that the clergy used to change into their vestments in the pub, and then go through an internal doorway into the church. So it is highly likely they might already have been a little bit tipsy before they even reached the communion wine.

    Fiza Pathan: The best kind of priests, the best kind of priests! And I am sure the best kind of theologians also. In my own life I have noticed that when they are a little merry, they give the best expositions on the Bible. Sometimes I think I should have a bit of rum cake before I interpret the Bible — then I see more layers. Anyway — and what about that Ferris-wheel-looking thing below the hermitage?

    Andrew Beardmore: Ah yes. And this is something that should connect with you, Fiza, because when you reviewed my fiction book The Strains of Malice, you talked about the miners a great deal and mentioned your affinity with mining communities. Well — that is a mining memorial. A coal mining memorial. All coal mines, from certainly the nineteenth century through to the twentieth, had this enormous structure with a big wheel at the top — they were called headstocks. On the outskirts of the wheel there is an enormous groove, and inside that groove would have been an incredibly thick iron cable, which lowered and raised the miners to the various galleries. It took about forty miners at a time. There are memorials like this in dozens of villages in Derbyshire and Nottinghamshire, because this is coal mining country. They are memorials not just to those who lost their lives, but to all people who mined in these counties.

    Fiza Pathan: Totally what The Strains of Malice was all about. That whole middle portion was focused on exactly this kind of thing.

    Andrew Beardmore: Let me say that every single Unusual and Quirky book has got some kind of industrial disaster from the Industrial Revolution — and a lot of them are terrible coal mining disasters. And the one that happens in The Strains of Malice is based on a disaster in Wales. The place is called Cabrennar in the novel, which is an anagram of Aberfan, where that disaster occurred. And my character Davy Sheeran — who is the hero of that sequence — is an anagram of one of the men who rescued the most people, which is exactly what Davy does in the book.

    Fiza Pathan: Oh my gosh. So please, everyone — when we are analysing the historical context in not only fantasy books but also when we pick up Derbyshire Unusual and Quirky by Andrew Beardmore, we have everything: the Reformation, the medieval era, and now even an Industrial Revolution element. This is something we should definitely look into. And let us not forget the parallels in The Nessemiah series — The Strains of Malice and Cold Sanctuary, both of which I have already reviewed on Goodreads and Amazon. I am just sitting here waiting and waiting for the other two books in the series. I am at the mercy of Andrew.

    Part Eight — The Nessemiah Series: Publication Update

    Andrew Beardmore: Well — this is my publisher, I am afraid. Ironically, the reason Books Three and Four have not been released yet is that I actually wrote them two years ago. We wanted to release at the back end of last year, but our printers are in India. And there is an issue: the costs keep going up, and the ships cannot go through the Red Sea anymore because of the Somali pirates and what is happening now in the Persian Gulf. They have to go all the way round the Cape of Good Hope. They do not even know exactly where the ship is at the moment. That container has to arrive at Felixstowe in the UK, then be shipped cross-country to Somerset, and then the books will be released. But I have agreed with the publishers to release the eBooks several weeks earlier.

    Fiza Pathan: Yes! Yes! We want eBooks — anything, anything will do. Anything at all.

    Andrew Beardmore: I might even be able to get that sorted in a month or so.

    Fiza Pathan: We want eBooks — anything at all. Thank you, Andrew. Thank you. Goodbye.

    — End of Transcript —

    This transcript was prepared for Fiza Pathan’s Teaching Portfolio for PGCITE, published at fizapathansteachingportfolioforpgcite.com. 

    ©2026 Fiza Pathan

  • ‘History Encyclopedia: Discover the secrets of the History World’: Book Review

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    Title of the Book: History Encyclopedia: Discover the secrets of the History world

    Author: Anita Ganeri, Hazel Mary Martell and Brian Williams

    Publisher: Parragon Publishing India Private Limited

    Publication Year: 2019 (First Edition published in 2003)

    Pages: 128 pgs.

    ISBN: 978-93-89290-10-3

    Age Group: MYP (Grades 6th, 7th, and 8th)

    Genre: History Encyclopedia

    IBDP and IGCSE Subjects Covered: History, Individuals and Societies, and Global Perspectives

    Review Written By: Fiza Pathan

    Introduction

    A great History Encyclopedia can inspire a lifelong interest in the subject. Collecting beautifully designed and well-researched History Encyclopedias has been a cherished hobby among parents and children from 1950 to 2009. Since the rise of smartphones, ChatGPT, and other AI-powered internet tools, the role of an encyclopedia in a child’s education has nearly disappeared in urban areas. However, in rural regions and among those who still depend on local lending libraries or second-hand bookshops—especially in India—the importance of an encyclopedia remains significant. This reviewer has observed in numerous books and documentaries by reputable news agencies over the past seven years that in many rural African communities, middle school students thrive and become well-educated through these simple local libraries and second-hand shops. They see encyclopedias as essential, similar to receiving a good education to improve their difficult circumstances. Therefore, it would be incorrect and quite improper for anyone to claim that encyclopedias have completely lost their relevance in the post-Truth Era or the third decade of the 21st century’s right-wing politics. In fact, in specific situations—such as in Africa, rural India, Pakistan, Bangladesh, Afghanistan, Turkmenistan, and war zones like Gaza, Ukraine, and Syria—where Wi-Fi is scarce and children often go months without internet access, encyclopedias play a vital role in their formal and informal education.

    It is a privilege for me to state that many book donation and reading programs have been carried out worldwide by the IB and IGCSE boards since the 1980s. Whether you live in the Dust Bowl of the world or at the heart of the Democratic Republic of the Congo, whether you reside on an island in the South Pacific that has recently been almost completely submerged due to rising water levels, or whether you are in a refugee camp near Bosnia, the IBO and IGCSE program coordinators and other educationists work together to deliver books to needy students and those in need of a good education despite difficult circumstances. At such times, second-hand or even first-hand copies of new and old encyclopedias serve important educational and instructive roles for their young readers.

    Regarding the History Encyclopedia being reviewed and analyzed today, Parragon Books has managed to publish a well-researched and well-edited series of historical events and vignettes from 2003 to 2019. This series can inspire any MYP or Middle Years Programme reader or middle school student to develop a passion for history and related topics, such as Global Perspectives and Individuals and Societies. The vignettes are diverse, skillfully crafted, beautifully analyzed, and colorful, with engaging ‘Do You Know’ inserts and authentic historical details that appeal to both young and older readers. Remedial students of the MYP and IGCSE will also find this History Encyclopedia attractive, vivid, and useful for their study and review.

    I also recommend keeping this encyclopedia, especially its latest 2019 version, in the Reading Corners and private classroom libraries of PYP classrooms at all IGCSE and IB schools. PYP students, particularly in 4th and 5th grades, will find this book informative, enlightening, useful, and exciting to read and research. It provides a quick chronological overview of significant and relevant episodes in history, from the Prehistorical Era to the 21st century and the Age of Computers. The Prehistorical section covers a period when literary or written sources were unavailable for research, relying solely on archaeological evidence. This encyclopedia effectively captures the essence of the 21st century, including the terrorist attack of 9/11, the US-led wars in Iraq and Afghanistan, the rise of extremist terrorist groups worldwide, and Putin’s rise in Russia following the dissolution of the USSR after the fall of the Berlin Wall.

    From the Mayans to the Aztecs, from the Renaissance to the Reformation, from Homo Erectus to Homo Sapiens, from the Egyptian Civilization that emerged around the River Nile to the Babylonian Civilization boasting King Nebuchadnezzar, who built the Hanging Gardens to please his favorite wife, from Mongols who never gave in to the Spartans who simply never gave up, from the rise of Imam Khomeini of Iran in the late 1970s to the rise of the Taliban in Afghanistan in 1994, from the assassination of President J.F. Kennedy to the Civil Rights Movement led by Martin Luther King Jr., based on Mahatma Gandhi’s teachings of non-violence, this encyclopedia covers it all—neatly contained in just 128 pages with authentic information and factual presentation. Fortunately, the authors of this encyclopedia are not historians who prefer fiction over facts or reinvention over rediscovery.

    This book review also analyzes various historical topics and events in this encyclopedia, highlighting their interdisciplinary aspects in line with the MYP, IGCSE, and IB school syllabus. It will also critique any instances where a one-sided perspective has influenced the writing or construction of a particular essay or chapter in this History Encyclopedia.

    Lastly, it is important to study history, whether formally or informally, at school or university, because studying history helps us understand our culture, our ancestors, our world, and ourselves. As the respected debater and orator from Julius Caesar’s time Cicero said:

    To be ignorant of what occurred before you were born is to remain always a child. For what is the worth of human life, unless it is woven into the life of our ancestors by the records of history?’

    ― Marcus Tullius Cicero

    Marcus Tullius Cicero

    We must also recognize that there are different perspectives and methods of analyzing history, as I have previously mentioned. This encyclopedia has been generous in providing the facts as accurately and objectively as possible, with an almost 95% unbiased approach. However, other books and guides are being published or, as I would say, ‘crafted’ today for two main reasons: first, to create a fictional utopia of what those in power wish to present us—an intentionally designed series of educational brainwashing and conditioning through the WhatsApp University; and second, to give us a kind of mental fog where we put blinkers over our eyes and suppress our rational minds, viewing history solely through the loudest voices on social media, television, the internet, or those wielding the most influence and wealth to validate even the most trivial claims as ‘real history.’ We need to remove these two distorted ways of interpreting history from the minds of our MYP students, especially before they enter the IGCSE and IBDP levels, where they will study history more seriously. This will also be discussed further as we continue with the book analysis and review.

    ‘One of the saddest lessons of history is this: If we’ve been bamboozled long enough, we tend to reject any evidence of the bamboozle. We’re no longer interested in finding out the truth. The bamboozle has captured us. It’s simply too painful to acknowledge, even to ourselves, that we’ve been taken. Once you give a charlatan power over you, you almost never get it back.’

    ― Carl Sagan

    (from his book ‘The Demon-Haunted World: Science as a Candle in the Dark’)

    Carl Sagan

    Synopsis

    The encyclopedia lists the following topics in its chapter index:



    Each essay is only two pages long and carefully condensed to include essential information about the historical period. The perceptions presented are verified and are neither right-wing nor extremist nor leftist. These historical facts are based on archaeological evidence, including iconography, numismatics, murals, architecture, and literary sources, interpreted by leading historians of the early 21st and late 20th centuries. This information has been revised and summarized by history educators and bestselling authors, using encyclopedias from various Parragon publications from 2003 to 2019. The consultant editors of this book are Brian and Brenda Williams. Brian Williams has extensive experience in international publishing as a writer, editor, and consultant. He is a long-time author for Pitkin, with titles in the History of Britain series and works on military and political topics. Brenda Williams draws on her background in early childhood education to make information engaging for both children and adults. Her interests in history, heritage, landscape, and literature are reflected in her Pitkin titles. The authors of this encyclopedia are Anita Ganeri, Hazel Mary Martell, and Brian Williams. Brian Williams has vast experience working with world leaders, including contributions to Britannica and World Book. He has served as a consultant and writer for BBC Learning and Primary History websites, and his work includes educational and international reference publications for all ages, including early readers. Hazel Mary Martell is the internationally bestselling author of The Kingfisher Book of the Ancient World, while Anita Ganeri, an Indian author, created the award-winning Horrible Geography series and many other children’s non-fiction books. Her work on Horrible Geography earned her a fellowship with the Royal Geographical Society. The first edition of this book was designed by Starry Dog Books, and this edition was published in 2019 by Parragon Books Ltd. and distributed by Shree Book Center.


    Analysis

    No; there is no one rhythm or plot in history, but there are rhythms, plots, patterns, even repetitions. So that it is possible to make generalizations and to draw lessons.’

    —A.L. Rowse

    (British historian and writer, best known for his work on Elizabethan England and books relating to Cornwall)

    ‘The partisan approach to history prevents the observer from recognizing the sanctity of objective facts and requires him, where necessary, to deny the evidence of his senses; for there are occasions when he must subordinate his own personal concept of truth to that held by an individual or group of individuals, namely the party.’

    – R.C. Majumdar

    (One of the greatest Indian historians and professors whose 1918 book Corporate Life in Ancient India drew a new perspective on ancient India)

    The book is organized in chronological order, starting with prehistory and early civilizations, then progressing through classical antiquity, the medieval world, early modern empires, industrial revolutions, and the modern era. Each section begins with a timeline that guides the reader through important global events. This linear structure emphasizes the narrative flow and makes it simple to follow developments across different cultures. This approach is typical of all Parragon’s earlier history encyclopedias, developed by the two authors mentioned earlier, Hazel Mary Martell and Brian Williams. Alongside the chronological chapters, there are thematic sidebars that explore art, science, religion, and technology. These boxed features allow readers to examine cross-cultural phenomena, such as the spread of writing systems or maritime exploration, while maintaining the chronological continuity.

    Indexes, glossary terms, and a detailed table of contents improve usability. The encyclopedia caters to different reading strategies used by IB or IGCSE MYP students: cover-to-cover reading, quick fact-checking, and thematic browsing. This also helps IGCSE students develop skills for future report writing and information texts within the standard IGCSE 120-word limit worldwide. If there is anything Parragon does best, it is condensing vast sources and resources of information into simple, short, yet engaging sections and chapters.

    The History Encyclopedia covers every major world region: Africa, Asia, Europe, the Americas, and Oceania, highlighting both well-known and lesser-known civilizations. Prehistoric societies are included alongside classical powers such as Greece, Rome, and Chinese dynasties. Modern topics include world wars, decolonization, and globalization. The coverage is well-balanced, with all regions adequately represented across different periods of history, from the prehistoric era to the 21st century.

    ‘What is history? Our answer, consciously or unconsciously, reflects our own position in time, and forms part of our answer to the broader question, what view we take of the society in which we live.’

    ― Edward Hallett Carr

    (Liberal realist and later left-wing British historian, journalist and international relations theorist, and an opponent of empiricism within historiography. From his book ‘What Is History?’)

    E.H. Carr

    Books on history can sometimes intimidate readers. They may be too heavy, filled with strange words, or too dull to touch the hearts of readers. This History Encyclopedia is different from others. It speaks in a welcoming voice that invites you to the great stories of our world. The book is colorful with pictures and maps, and it tells the story of humankind in an easy-to-read way. As I turned its pages, I felt as if a friend was guiding me through time—from the first people to paint on cave walls to the busy cities of today.

    Many old history books and encyclopedias, especially those published during the 1980s and 1990s, mainly focus on kings, queens, and wars. This encyclopedia aims to provide a more diverse range of information. It shares stories of farmers who grew rice, women who shaped communities, scientists who observed the stars, and traders who crossed deserts. The book reminds us that history belongs to everyone. It is not just about rulers but also about common people, whose names we may never know. For example, it can be very encouraging for a young MYP student to learn not only about the violence of the Mongols but also about how they lived on a beverage called mare’s milk, which was rich, creamy, and full of milky goodness, prepared in an unusual way. They will also find it fascinating to learn that Scandinavian Vikings, often stereotyped as marauding sea pirates, were actually very calm and peaceful people who might have been a bit brash but mainly sought peaceful places to farm and grow crops. Likely because of the stereotypical comic illustrations from internationally famous comics like Asterix, The Normans, Asterix and the Vikings, and Hagar the Horrible series, we tend to have this prejudiced view of Vikings and pass it on to our students.

    Hagar the Horrible
    Asterix and the Vikings

    Reading this encyclopedia is like sitting with a wise friend who speaks softly and shows you pictures of the world. After finishing a chapter, you might feel eager to read another book, visit a museum, or watch a documentary. That is the true gift of a good guide: it makes you crave more knowledge.

    The encyclopedia reflects late-20th and early-21st century trends in public history: a move towards inclusivity, global interconnectedness, and multimedia presentations. It embodies the idea that history is not merely a record of great men but a tapestry of cultures, economies, and ordinary lives. An example of this is how the encyclopedia depicts and interprets the rise of Imam Khomeini in Iran and the fall of the Iranian monarch Reza Shah. Both are presented without demonization and without being judgmental, offering a balanced view of the failings of the Shah’s monarchical government and what the Iranian people saw in Imam Khomeini that led them to participate in the Iranian Revolution—an event that ultimately forced the Shah to flee Iran permanently. Another example of this inclusivity is in the way the creation of Israel and the Zionist movement are described: objectively and factually, without allowing sentiments to overshadow conclusions.

    The prose of this encyclopedia is clear and straightforward, avoiding academic jargon and unnecessary simplification. Concepts such as feudalism and industrialization are explained clearly, and each page is designed to engage the reader without compromising accuracy. Despite its encyclopedic format, a noticeable narrative thread connects one era to the next, highlighting the continuity of the human experience. It feels like reading a well-structured fiction novel or a nonfiction memoir or biography, where events follow an accurate chronological order. It thus reads smoothly, which is impressive, showing that the authors have strong content and know which topics in Global History to emphasize and which to omit for brevity.

    An example of this is how complex historical topics were simplified into more understandable forms, such as the Thirty Years’ War, which started in 1618, and the processes of unification in Italy and Germany in the 1800s. Unnecessary historical characters and events were omitted, and the focus was placed on the key participants in Europe, one before the Great War or World War I, and the other after the Reformation.

    Compared to heavy scholarly works like The Oxford Companion to World History or the multi-volume Cambridge Illustrated History series, the Parragon History Encyclopedia serves a different purpose. The Oxford and Cambridge volumes are rooted in careful academic research: each article is written by experts, references are attributed accurately, and the tone often emphasizes historiographical debates. In contrast, the encyclopedia is designed for the general reader who values clarity and immediacy over detailed footnotes and extensive bibliographies. As one of India’s most renowned historians and professors, R.C. Majumdar, stated, the aim is to guide the reader towards Historical Debate rather than present the past as we wish to interpret it, which can sometimes be used to create an illusion of shared purpose or overarching generality.

    This kind of layout is similar to the historiography of the renowned European historian and professor Edward Hallett Carr, also known as E.H. Carr. He was, as previously mentioned, a historian, journalist, and international relations theorist. Additionally, graduate and postgraduate history students mainly remember E.H. Carr for his 14-volume history of the Soviet Union, which covers Soviet history from 1917 to 1929, his writings on international relations, and his book ‘What Is History?’ Although he increasingly leaned towards being a leftist, he advocated for objectivity in how history is interpreted. He always believed that victors write history and their sycophantic historians interpret past events for future generations, thus perpetuating a false perception for ages. He consistently maintained that before studying history, one should study the historian who wrote it to understand the event better.

    Study the historian before you begin to study the facts.’

    ― Edward Hallett Carr

    (From his book ‘What Is History?’)

    ‘History consists of a corpus of ascertained facts. The facts are available to the historian in documents, inscriptions and so on, like fish in the fishmonger’s slab. The historian collects them, takes them home, and cooks and serves them in whatever style appeals to him.’

    ― Edward Hallett Carr

    (From his book ‘What Is History?’)

    The hallmark of the Parragon edition is its bold, photo-rich design. Large-format illustrations, high-resolution artifact photographs, and full-color maps turn each spread into a miniature exhibition. While the Oxford Companion offers a steady flow of text-heavy entries, Parragon captures the eye first, trusting that visual curiosity will lead to intellectual engagement.

    This does not mean that Parragon sacrifices reliability. The editorial team, as previously mentioned, which includes Brian Williams and his wife Brenda Williams, distills credible scholarship into clear prose that stays true to the established historical consensus. However, it intentionally avoids historiographical debates and detailed source analysis that an Oxford or Cambridge volume might emphasize. Readers experience a smooth narrative rather than footnote-heavy argumentation. The trade-off is intentional: the aim is to reach a broad audience—students, families, and lifelong learners—rather than satisfy professional historians.

    Because of this positioning, the History Encyclopedia occupies what might be called a ‘sweet spot’ in the reference spectrum; it is comprehensive enough to provide genuine substance, yet lively and visually engaging enough to hold the attention of casual readers and younger learners. In an era where many MYP learners first encounter history through screens and multimedia, its carefully balanced approach—textually authoritative but visually dynamic—makes it both an inviting entry way and a reliable overview, bridging the gap between coffee-table spectacles and academic tomes. This would work for a young MYP learner as well as those learners struggling with ADHD, having remedial issues, and those who prefer researching on the internet and using AI search tools or Google rather than checking out authentic and reliable encyclopedias like these. This encyclopedia can easily compete with the gaming generation of middle-grade students who adore the visual graphics of their online multimedia games.


    Detailed Book Analysis

    Now, I will proceed to a more critical analysis of this History Encyclopedia under related subtopics. Additional details will be examined in bullet points, and I will cover most of the historical periods and events included in this encyclopedia. As R.C. Majumdar states again, quoting passages from the proceedings of Indian History Congresses held in 1964 and 1965:

    ‘History has a mission and obligation to lead humanity to a higher ideal and nobler future. The historian cannot shirk this responsibility by hiding his head into the false dogma of objectivity, that his job is merely to chronicle the past. His task is to reveal the spirit of humanity and guide it towards self-expression.’ -R.C. Majumdar

    Although I will not be as radical a nationalist historian or analyst of history as Majumdar, I will, in the true spirit of the IB and IGCSE curriculum, try to convey not only objectivity regarding the historical periods discussed in this encyclopedia but also the diverse perceptions and opinions about them. Additionally, I will highlight how positive aspects can be identified and applied to the real-life situations and careers of IB and IGCSE students. References will also be made to Indian and international historians and historiographers who worked, researched, and taught in the 20th century and serve as the foundational figures for the study of history in India.

    • Global Balance

    One of the encyclopedia’s most commendable achievements is its earnest effort to represent and analyze Non-Western Historical Eras and Ages with balance. Chinese dynastic cycles, the Maurya and Gupta empires of India, and the intellectual flowering of the Abbasid Caliphate receive thorough and well-contextualized treatment. I was pleased to see the Mauryan Emperor Ashoka’s Dhammapada given significant importance and analyzed deeply, correctly linking it to the subsequent decline of the Mauryan Empire and the rise of Northern Rajputs. Even the Mayan, Aztec, and Inca civilizations are discussed not merely as precursors to European contact but as advanced societies with complex political and economic systems. The coverage of Polynesian navigation and early Pacific migration signals also acknowledges the region’s historical importance.


    • Excellent for Advanced Studies in IB History

    For educators and students, this encyclopedia by Parragon provides significant practical value. Its chronological arrangement, cross-referenced timelines, and detailed index enable quick access for research projects or classroom presentations at the IB and IGCSE levels. Sidebars on technology, art, and religion promote interdisciplinary exploration, aligning well with curricula such as the International Baccalaureate (IB) program.


    • Limitations

    Despite its many strengths, the History Encyclopedia by Parragon inevitably bears the marks of its single-volume format and commercial aims. A careful reader, especially an educator or advanced student, should be aware of several limitations. World History is vast, and a single compendium cannot offer comprehensive depth. Although the editors have included a genuinely global range of civilizations, regional imbalances remain. Sub-Saharan Africa beyond Egypt and Mali, the interior of the Americas before European contact, and much of Oceania receive only fleeting attention, leaving little sense of their internal diversity or sophisticated political and ecological systems. It surprised me that the history of the Americas was only covered from the Geographical Discoveries phase onward, which refers to post-Renaissance times. Before then, the Americas were not mentioned at all—a stereotypical omission often made by most history writers for young students, which should be avoided at all costs. In fact, I noticed that North American societies are briefly acknowledged but mainly treated as a prelude to European arrival rather than as vibrant cultures with complex governance and trade networks. Even the fall of Rome, the origins of the Industrial Revolution, or interpretations of global decolonization are only mentioned in passing. This omission makes it difficult for students or researchers to connect arguments to primary sources or explore topics deeply, limiting the book’s usefulness as an academic resource. Tracking historical perceptions and theories back to primary sources is essential when studying history at the IB level. Later, in the IBDP, students will find it nearly impossible to achieve good grades if they do not trace their hypotheses to primary sources. They cannot simply speak arbitrarily; they need concrete evidence to support their answers, hypotheses, or accepted perspectives. The book’s lavish visual design can sometimes hinder its analytical depth. Striking images encourage browsing and create immediacy but can also promote surface engagement with complex subjects—giving a visual overview without the critical analysis or contested interpretations needed for deeper understanding. I was especially struck by how 9/11 and terrorism, referred to as ‘Islamic Terrorism,’ were depicted—a perspective that is only one part of the larger picture of global terrorism. To gain a nuanced understanding of world history, readers should supplement the encyclopedia with primary sources, region-specific monographs, and works emphasizing historiographical debates. Recognizing these limitations does not diminish the book’s appeal; rather, it clarifies its role as a visually engaging primer that sparks curiosity while reminding us that understanding the full complexity of the human past requires a more in-depth, rigorously sourced exploration. As A.J. Toynbee said:

    ‘History concerns itself with some but not all facts of human life and on the other hand besides, recording facts, history also has the recourse to fictions and makes use of laws.’

    – A.J. Toynbee

    (English historian, philosopher of history and research professor of international history at the London School of Economics and King’s College London)


    • Factual Details

    The factual details are accurate but have a Western bias, as mentioned in this analysis. The narrative appears to be heading towards the European Renaissance, Reformation, and then Geographical Discoveries, which are regarded as the peak or the epitome of what earlier civilizations and cultures sought to achieve for centuries. There is a strong focus mainly on European history before the Age of Geographical Discoveries, and afterward, the focus shifts mainly to the USA after World War I. Captain James Cook, who discovered and troubled the Aboriginals of New Zealand and Australia, is almost portrayed as a hero or, at best, a neutral figure in the text, which is not inclusive at all. However, it highlights the basics of the discovery of that region between the 1700s and 1800s, which is commendable. The visuals in the book depicting Captain James Cook and the Aboriginals show the latter as almost aggressive, compared to Captain James Cook, which is not a fully inclusive or holistic way of representing this part of maritime and Oceania history.

    Captain James Cook

    In addition, too much focus has been placed on the Reformation chapter concerning the role of King Henry VIII and his infamous life, rather than on the main aims and impacts of the Reformation. It would have been more useful and relevant to emphasize Martin Luther instead of the former British King. The mention of the invention of the Printing Press was superficial and should have been discussed in more depth, especially from my perspective as a high school history teacher and tutor. Gutenberg’s press or invention propelled subsequent revolutions in America and France and further developments that fueled the Industrial Revolution. Therefore, it deserved more prominence in the book rather than being included as a casual ‘Did You Know?’ fact. The contributions of Reformation figures like Tyndale, Calvin, and Erasmus could also have been incorporated to enrich the narrative with factual and literary ‘color.’ I also found the Renaissance chapter somewhat lacking in depth; more attention could have been given to the artworks of Michelangelo, Leonardo da Vinci, Raphael, Brunelleschi, Donatello, El Greco, and others. As PGCITE student-teachers and B.Ed teachers, we repeatedly teach the Renaissance in MYP classes, yet we tend to mention only two iconic artists—Michelangelo and Leonardo da Vinci. We often overlook Raphael’s paintings, which follow similar themes in darker tones, or Donatello’s pioneering works, which influenced Michelangelo, such as the Statue of David. Additionally, Brunelleschi’s construction of the first large-scale dome atop Florence’s cathedral and his role in developing Linear Perspective are crucial. El Greco’s revival of Gothic style with Renaissance techniques is also significant. We need to educate students about all these Renaissance artists, architects, sculptors, writers, and philosophers rather than focus only on a few well-known figures.

    You can see in the two sculptures above how Michelangelo drew inspiration for his own David from Donatello’s ‘David killing Goliath’, which looks more like a tipsy teenager at a celebration than a prophet working for God’s purpose to defeat evil. The idea or perspective of a serious, focused king before killing Goliath is clearly seen in Michelangelo’s David, which is done in a more solemn style. Donatello’s tipsy David depicts the future king after the victory, created with celebration in mind. Michelangelo, being his eccentric self, chose to depict David before the kill and even made a sculpture larger and more detailed than Donatello’s tiny one, as you can see in the pictures above.

    As mentioned before, labeling terrorism primarily as ‘Islamic Terrorism’ does not take a comprehensive and multi-faceted approach to the entire debate. People around the world who follow Islam do not take this lightly because they rightly believe that terrorism has no religion; therefore, no religion or community should be linked to this global threat to peace. We should also remember that Ireland has several Christian terrorist groups, and we should not forget the Lord’s Resistance Army of the Central African Republic or the recent Army of God, an American Christian organization whose members have committed acts of anti-abortion violence. Islamophobia should be permanently avoided in History Encyclopedias and IB and IGCSE textbooks. However, it was commendable of Parragon to present the Iranian Revolution and Imam Khomeini with dignity without implying later that he led Iran toward a more fundamentalist way of life than what the Iranian people experienced during the Shah’s reign, as I mentioned earlier in this review. Dictator Saddam Hussein is portrayed accurately, both literally and metaphorically, and I was pleased that the Iranian-Iraq War was recognized as a very challenging period for the region during the 1980s. However, it would have been beneficial to also mention the negative effects of President George Bush’s invasion of Afghanistan and the war that followed, as well as how the USA consistently intervenes in the coups and conflicts of Islamic and other Third World countries to serve its own interests and agenda.


    Book Review

    ‘It used to be said that facts speak for themselves. This is, of course, untrue. The facts speak only when the historian calls on them: it is he who decides to which facts to give the floor, and in what order or context.’

    ― Edward Hallett Carr

    (Liberal realist and later left-wing British historian, journalist and international relations theorist)

    It is not the primary duty of a historian to present facts exactly as they are, but it is admirable and healthy for him to do so nonetheless. In a way, the historian holds the key to the present and the future, not just the past, in his hands—keys that can either unlock ruin for his readers and students of history or offer salvation. We have reached a point in contemporary world politics where the more you fake, the more popular you become both online and offline, and the more you can control people with lies and false facts. It seems that facts and the truth have abruptly died during this post-Truth Era and the dawn of the Age of AI.

    The information that those in power are currently feeding into AI and other browsers will shape how our future and current generations view our history. If they are exposed to misogyny, sexism, gender bias, anti-LGBTQIA+ attitudes, racism, communalism, and so on, that is what our future will reflect because Gen Z, Gen Alpha, and Gen Beta are already more reliant on AI than we Millennials were on Google. Relying on a resource with ingrained biases that might one day falsely claim to be the only true source of past knowledge could lead us into serious problems or a situation from which we cannot escape.

    Therefore, it is essential that we teach our students accurate history from multiple perspectives. We must guide them, as the IB curriculum suggests, to primary sources or at least reputable secondary sources to support their viewpoints amid a world filled with misinformation or fake news. We should teach history using the methodology and ethics of a TOK class. This approach will foster healthy debates in IB and IGCSE classrooms without inciting verbal or social media violence. Solutions can be identified and applied for evaluations that serve positive purposes both inside and outside the History Classroom.

    Such encyclopedias for middle-grade students can serve as an excellent means of research and analysis and a guide for further reading. The ‘History Encyclopedia: Discover the Secrets of the History world’ is informative, analytical, inclusive, colorful, and a must-have in every MYP library.

    As a professional and qualified high school history teacher, I can vouch for its overall accuracy and its tendency for optimism and precision in presenting events and thoughts. There are no errors in the encyclopedia, but it could be made more inclusive and holistic. Despite having an Indian on the Editorial board, I noticed a somewhat White American and European bias in the encyclopedia, which I hope will not be present in future editions of history and other PYP and MYP school subjects I plan to analyze on this portfolio website I am creating for my PGCITE course at Podar IB, Santacruz, under the guidance of Dr. Rekha Bajaj. I look forward to reading, reviewing, and analyzing more encyclopedias soon.


    Special Note

    If you are interested in more book reviews, indie author interviews, book analyses, short story analyses, poems, essays, essay analyses, and other bookish content, check out my blog, insaneowl.com. If you are interested in purchasing my books, you can visit the products page on my blog or check them on Amazon. There are many good things to buy! Happy reading to you always!

    ©2025 Fiza Pathan

Accessibility Notice & Intellectual Property — Fiza Pathan

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